HAPPINESS

                                                                                                                  Last Wednesday we did a exciting project day.
Our teacher told to everyone go to the hall in front of the canting to ask the people some questions about happiness.
The main questions was, Which is the most matter  in the live, happiness or money?
We had a very good support from the people, same of us we ask to the people for the vote, other group of my classroom  ask for if the people would like write  what thing make happy, another group did pick up names and the sings and two of then gave happy thoughts to the people as a gifts for support to us.
Obviously down the control to our teacher.
That day I had the privilege to take the box for the votes at the begin was a little scary because I'm not confident with myself but after same people support I complete forgot what I do just I enjoyed do that.
Obviously were same people does not want to support our project, so doesn't  matter because most of them supported it.
Furthermore at the end, most of us were very happy and excited for are job what we did.
Personally the most excite thing was, when our teacher told us what she was very proud for our job in the hall.




  

FACIAL EXPRESSIONS

 Fear

We express fear when we feel physically or psychologically threatened. 

The facial expression of fear is often confused with surprise. But when we’re surprised, our eyes open wider than when we’re afraid, and our mouth isn’t pulled sideways, like it is here; instead, our jaw drops and the mouth hangs open. Plus, our eyebrows are relatively flat when we’re afraid; they arch more when we’re surprised.



Happiness

This is a classic display of a genuine smile, called a Duchenne smile, which signals happiness.

It’s defined by two muscle movements. The movement common to all smiles is the zygomatic major muscle pulling the lip corners up. But, critically, what reveals this as a genuine smile is what happens around the eyes: The muscles tighten, making those wrinkles, or crow’s feet, around the sides of the eyes and creating that pouching of the lower eyelid. When you see these signs, the person isn’t just smiling politely; he’s feeling genuine happiness.



 Anger

You see these muscle movements—in the lips, around the eyes, and in the brow—when people are feeling aggressive, threatened, or frustrated. Researchers think we make this expression when we're angry because it could protect the face in a physical conflict—for example, the furrowed eyebrows could protect the eyes.

People often confuse anger and disgust, but disgust involves a raised upper lip and a wrinkle in the nose that you don’t see here.


 Embarrassment

When people are embarrassed, they avert their gaze, which means they move their head down and to the side, exposing their neck. And the embarrassed smile is different from other smiles: The lips press together tightly, reflecting feelings of restraint or inhibition.

Embarrassment can look like shame, but when we're ashamed, our head moves straight down, not to the side, and we don't smile.



 Pride

Pride involves signs of dominance. The corners of the lips rise slightly, signaling that the person is happy. But what distinguishes this from happiness is that the head tilts back, with a slight jaw-thrust. Those are classic signs of power and dominance—they suggest that we’re feeling strong.

The expression of pride is also close to the expression of contempt. They both involve a backward head tilt, but contempt doesn't involve a slight smile like pride does; instead, with contempt the lip movement is asymmetrical—only one side tightens.




Surprise

Surprise is often confused with fear. But when we’re afraid, our lower eyelids tighten and our eyebrows look flat and tense; with surprise, our upper eyelids rise up and our eyebrows arch. Also, our jaws drop when we’re surprised, but our lip corners go sideways when we’re afraid, making the mouth look tighter.

Some experts believe our eyes open wide like this because when we’re confronted with something surprising—a long-lost friend, an unexpected award—we try to absorb as much of this new information as possible.


Contempt

Contempt is when you look down on somebody derisively or suspiciously. What’s important about the expression of contempt is that the lips tighten on one side of the face but not the other. If the tightening were on both sides of the face, the person could be swallowing or salivating.

People often confuse contempt with disgust. But disgust involves the raising of the upper lip, and the bridge of the nose wrinkles. We express disgust about noxious things, not those about which we’re derisive or suspicious.




 Disgust

When we feel disgust, the muscles above the upper lip pull up, raising the upper lip, wrinkling the nose, and narrowing the eyes.

People often confuse disgust and anger. But anger tightens the mouth and lowers the eyebrows more significantly, and raises the upper eyelid. With disgust, the mouth opens and the tongue comes out, just in case you need to throw up.



Flirtatiousness

This is a coy, flirtatious smile. What conveys flirtatiousness is when someone turns his or her head away to signal ‘I’m not interested in you,’ but simultaneously makes eye contact. That’s a universal display that reflects the ambivalence of flirtation—the flirter avoids and approaches someone at the same time.

Someone flirting gives off signals of pleasure, as indicated by the zygomatic major muscle pulling the lip corners up, which also raises the cheeks slightly. Plus, the eyes are narrower than in a neutral state because the orbicularis oculi muscles around the eyes contract, suggesting feelings of happiness.



 Pain

When we feel pain, our facial muscles move in ways that contract the face and protect us from harm. In the upper half of the face, the orbicularis oculi muscles around the eyes contract, closing the eyes tightly, and the corrugator muscle lowers our eyebrows. In the lower half of the face, our lips tighten and press upwards.

You'll see this particular expression especially when people are experiencing psychological pain, such as when they see other people suffer. It’s an expression closely related to sadness. But rather than suffering in their own sadness, they experience the pain and suffering of others through empathy.


 Compassion

When people feel sympathy or compassion, the corrugator muscles pull the eyebrows in and up, their lips press together, and their head tilts forward slightly—a sign of social engagement.

The expression of compassion is most often confused with sadness. The eyebrow movements are similar in sadness and compassion, but with compassion the lips press together; when we feel sad, our lips pull down.



Amusement

The tell-tale signs of genuine amusement are the open mouth and the backwards head movement. And like a genuine smile, you can tell a genuine laugh when you see the muscles contracting around the eyes, making crow’s feet.

Genuine laughter often relaxes all muscle movements in the body because of shifts in our respiration patterns that happen when we laugh. This rapid shift to a state of relaxation shuts off feelings of aggression or frustration—we’re cooperating with other people, not competing.




 Interest

When we’re interested in something, the frontalis muscles raise our eyebrows straight up, and our lip corners turn up in a slight smile, suggesting we’re feeling pleasure.

The expression of interest is related to the expression of happiness. But when we’re happy, we’ll show more exaggerated upward movements of our lip corners, and the muscles around the eyes will contract more, without the eyebrow raising straight up.


 Sadness

Sadness is characterized by oblique eyebrows, where the corrugator muscles pull the eyebrows in, but the inner part of the frontalis muscle pulls them up. There’s also a little pouching in the inner part of the forehead, and people will often look down. Plus, the corners of the lips are pulled straight down, giving the mouth a curved look.

The expression of sadness is often confused with shame, and it shares the oblique eyebrow muscle movements of compassion.




Desire

Desire is signaled through the mouth, with lip bites, puckers, or (as in this case) lip licks. The mouth is probably so strongly linked to desire because of the connection to kissing. People often make this facial expression when they’re interested in someone else sexually, but not necessarily romantically.

Desire is obviously a relative of love, but when people feel loving and trusting and devoted to someone else, as opposed to sexually aroused, they won't necessarily make this kind of gesture with their mouth. Instead, they'll often smile in a way that suggests happiness, with a head tilt to the side.



 Shame

Shame is a very simple display but a powerful one. It simply involves gaze aversion, with the head moving down so that the chin tucks into the neck. It's the opposite of pride: Whereas with pride our head tilts back and our chin goes up, shame often constricts our posture as a sign of submissiveness.

This expression is frequently confused with sadness. But shame doesn't involve the muscle movements of the sad face—the eyebrows pulled in and partly up, with the lip corners moving down.



 Politeness

This is a non-Duchenne smile—a smile that doesn’t signal true happiness. It suggests that the person is trying to seem polite and cooperative, but they don’t genuinely feel happy.

The zygomatic major muscle is pulling the lip corners up, but there are no signs of real joy around the eyes—no crow’s feet around the sides, no pouching of the lower eyelid, no raising of the cheek. 



Embarrassment

With about 30 percent of embarrassment episodes, people touch their face, which is happening here. Some experts believe the face touch is a defensive movement, to protect the face after the person violated some social rule.

In some parts of the world, people make a similar hand gesture when they’re ashamed. But with shame, the head moves straight down, not to the side, and there’s no slight smile.



 Pain

When we feel pain, our facial muscles contract the face and protect us from harm.

In the upper half of the face, the orbicularis oculi muscles around the eyes contract, closing the eyes tightly, and the corrugator muscle lowers our eyebrows. In the lower half of the face, our lips tighten and press upwards. Especially when experiencing physical pain, people will sometimes contract their neck, as is happening here, making this look even more like a display of self-defense.


 Love

When we feel love, our facial expression often resembles happiness: The zygomatic major muscle pulls the lip corners up, and there’s a tightening of the lower eyelid.

But the distinct expression of love combines these muscle movements with a tilt of the head to the side. That’s a sign of intimacy and connection beyond just happiness.

LETTER OF COMPLAINT- ANSWERS

LETTER OF COMPLAINT

Computers could never replace teachers.

The things which computers cannot teach

In my opinion computers cannot teach how to listening  to the people. I know the computers give us a lot material for understanding people but don't teach how. Furthermore the computer cannot correct you when you speak wrong  also when you make a conversation with computers cannot answer  you and you don't see the reactions when you are talking.
In fact you cannot have a real relationship with computers as you have with a person. The teachers can understand every situation about your feelings and the most important thing for my is the computers always need someone to tell what it  need to do.

The subjects which computers are most useful for.

I think computers helps a lot in maths, it have a lot of programs about maths for each year. in fact my child used everyday for practice. for example one day his practice algebra , next day fraction and another day geometry and so on.
Personally in the subject that the computer help more is in math. 

RHYMING SLANG/ DEFINITION

 Adam and Eve       BELIEVE


Rabbit and pork        TALK  


 Bull and cow          ROW


 loaf of bread        HEAD



 alligator            LATER



 bacon and eggs   LEGS



Apples and pears STAIRS



Barnet fair HAIR


Pen and ink STINK


Oxford scholar DOLLAR

Raspberry tart FART


Daffy          SILLY

Flat adverbs

Flat adverbs

                

Adjectives that do not change form (add -ly) to become adverbs are called "flat adverbs."

                   

Typical flat adverbs are early, late, hard, fast, long, high, low, deep, near.

                 

To determine whether these words are functioning as adjectives or adverbs, one must determine

1)  what the word is describing (noun or verb)

2)  what question the word is answering

The following examples illustrate the distinction.

Early as adjective:

Early describes the noun train and answers the question "which one?"

Early as adverb:

Early describes the verb arrived and answers the question "when?"

Hard as adjective:

Hard describes the noun pass and answers the question "what kind?"

Hard as adverb:

Hard describes the verb threw and answers the question "how?"

Women I admire

The  woman I admire most is my mum because she is a strong woman even in difficult situations she always strong.
I admire her, I remember when was a child  she made magic  with the money even when  were 5 children in my family. I come  from  a poor family.  Both my   parents  worked hard for  give us the good life. In fact now is one the moments I remember her because now I felt I think the same situations.
I want to be like her because she always do what her want to do also I admire her even though she just attend the first year of primary she only learnt how to write her name but now she make a business in my country. For instance  she is  agent in the cooperative, further she is a person what you can trust what you money is save also no just me or my brothers believe on her even  my cousins and same friends send money to her to make something to produce interest.

INTERNATIONAL WOMEN'S DAY

International Women's Day is celebrated in many countries around the world. It is a day when women are recognized for their achievements without regard to divisions, whether national, ethnic, linguistic, cultural, economic or political. It is an occasion for looking back on past struggles and accomplishments, and more importantly, for looking ahead to the untapped potential and opportunities that await future generations of women.

In 1975, during International Women's Year, the United Nations began celebrating International Women's Day on 8 March. Two years later, in December 1977, the General Assembly adopted a resolution proclaiming a United Nations Day for Women's Rights and International Peace to be observed on any day of the year by Member States, in accordance with their historical and national traditions. In adopting its resolution, the General Assembly recognized the role of women in peace efforts and development and urged an end to discrimination and an increase of support for women's full and equal participation.

International Women's Day first emerged from the activities of labour movements at the turn of the twentieth century in North America and across Europe.

Rhyming slang

• Adam and Eve = believe = as in "would you Adam and Eve it?"
• Almond Rocks = socks
• Apples and pears = stairs
• Aris = Aristotle = bottle & glass = arse (a two-stage rhyme) [see Plaster below]
• Artful Dodger = lodger
• Ascot Races = braces
• Aunt Joanna = piano
• Bag of fruit = suit
• Baked Bean = queen
• Baker's Dozen = cousin
• Ball and Chalk = walk
• Barnaby Rudge = judge
• Barnet = Barnet Fair = hair
• Berk or Burk = Berkshire Hunt = cunt (used as an insult, never as an anatomical reference)
• Boat = boat race = face
• Bob Hope = soap
• Boracic (freq. contracted to brassic) = boracic lint = skint (i.e. penniless)
• Bottle = bottle and glass = arse (i. e. courage; Courage also happens to be the name of a brewery)
• Brahms = Brahms and Liszt (classical composers) = pissed (i.e. drunk)
• Brass Tacks = facts
• Bread and Honey = money
• Bricks and Mortar = daughter
• Bristol = Bristol City = titty (i.e. breast)
• Brown bread = dead
• Bubble = Bubble & Squeak = Greek
• Butcher's = butcher's hook = look
• Chalfonts = Chalfont St Giles = piles (i.e. haemorrhoids)
• Chalk Farm = arm
• China = china plate = mate
• Cobblers = cobblers' awls = balls or 'bollocks' (i.e. testicles , but usually meant in the sense of 'rubbish' as in "You're talking a load of cobblers")
• Cock and Hen = ten
• Creamed = cream crackered = knackered (i.e. exhausted or beaten)
• Currant bun = sun or The Sun newspaper
• Daisies = daisy roots = boots
• Darby and Joan = moan
• Dicky = dicky dirt = shirt
• Dicky or Dickie = dickie bird = word = as in "not a dickie", or even "not a dickie bird"
• Dog = dog and bone = phone
• Duck and Dive = skive
• Ducks and Geese = F--k-in' Police
• Duke of Kent = rent
• Dukes = Duke[s] of York = fork, i.e. hand, now chiefly when balled into a fist
• Dustbin Lid = kid
• Emmas = Emma Freud (English author and columnist) = haemorrhoids
• Farmers = Farmer Giles = piles (slang for haemorrhoids )
  Flowery Dell = ( prison ) cell
• Frog = frog & toad = road
• George Raft = draught
• Ginger = ginger beer = queer
• Gregory = Gregory Peck = neck, or cheque
• Gypsy's = Gypsy's kiss = piss
• Hampsteads = Hampstead Heath = teeth
• Hampton Wick = prick (i.e. penis)
• Half-inch = pinch (i.e. steal)
• I suppose = nose
• Jack = Jack Jones = alone ("On my Jack" = "On my own")
• Jam jar = car
• Jam tart = heart
• J. Arthur = J. Arthur Rank (1930s UK flour magnate and film producer) = wank (i.e. masturbate)
• Jimmy = Jimmy Riddle (unknown person, not the character killed during the Waco siege)= piddle or widdle (urinate)
• Jugs = jugs of beer = ears
• Khyber = Khyber Pass = arse
• Kick and Prance = dance
• Lady Godiva = fiver (i.e. five- pound note)
• Lionels = Lionel Blairs (English variety performer) = flares (as in flared trousers)
• Loaf = loaf of bread = head ("use your loaf")
• Lucy Lockett = pocket
• Mickey Bliss = piss (as in "take the Mickey" = "take the piss" = satirise)
• Minces (or mincers) = mince pies = eyes
• Mutton = Mutt and Jeff = deaf = named after Mutt and Jeff , two early 20th century comic strip characters
• Nobbies = Nobby Stiles (English footballer) = piles (haemorrhoids)
• North and South = mouth
• Oily rag = fag (i.e. cigarette)
• Ones and twos = shoes
• Orchestras = orchestra stalls = balls (Orchestra stalls = part of a concert or other hall. Example = "A kick in the orchestras.") [Coincidentally, "orchi-" is also the Greek root meaning "testicle."]
• Peckham Rye = tie (i.e. necktie)
• Pen and Ink = stink
• Pigs ears = big beers (large glasses of Ale )
  Plaster = Plaster of Paris = Aris = Aristotle = bottle = bottle and glass = arse (a three-stage rhyme)
• Plates = plates of meat = feet
• Porky = pork pie = lie, e.g. "He's telling porkies!"
• Pony = pony and trap = crap (note: Cockneys also use "pony" to mean £25 - hopefully the meaning is clear from the context)
• Rabbit = rabbit and pork = talk
• Raspberry = raspberry tart = fart (as in "blowing raspberry/ies" = making rasping noises with your mouth)
• Richard = Richard the Third = turd (lump of faeces)
• Richard = Dicky Bird = bird (slang for girl) but also Dicky Bird = word
• Rosie = Rosie Lee = tea e.g. "Have a cup of Rosie"
• Round the houses = trousers
• Rub-a-dub-dub = pub = public house
• Ruby = Ruby Murray (popular singer in the 1950s born in Belfast ) = curry
• Salmon and Trout = snout
• Scarper = Scapa Flow = go (as in "run for it!")
• Septic = septic tank = Yank (slang for an American)
• Sexton Blake = cake
• Sherbet Dab = (taxi) cab
• Skin = skin and blister = sister
• Sky = sky rocket = pocket
• sweaty = sweaty sock = jock = Scottish person
• Syrup / sirrup = syrup of figs = wig(s)
• Tea leaf = thief
• The Sweeney = Sweeney Todd =Flying Squad , a special division of the Metropolitan Police ; used as the title of TV series The Sweeney
• Taters = Potatoes in the mould = cold
• Titfer = tit for tat = hat
• Tod = Tod Sloane = own (as in "on your tod", meaning "alone")
• Tom and Dick = sick
• Tomfoolery = jewellery
• Treacle = treacle tart = sweetheart
• Trouble = trouble and strife = wife
• Vera = Vera Lynn (famous British wartime singer)= 'skin' or cigarette paper, eg, "got any Veras?", or chin, or gin
• Whistle = whistle and flute = suit = as in "a nice whistle"

DICTATION

a) Get up those apples and pears to bed.stairs

b) The girl put the money in her sky rocket.pocket

c) That guy was a tea leaf so he spent some time in prison.thief

d) He put the whole cake in his north and south.mouth

e) When you have a minute to talk just pick up the old dog and bone.phone

f) Can you Adam and Eve it.believe

g) If you are lucky you will get to meet to baked Bean.queen

h) That dog walked really hard,but now he is brown bread.dead

i) Is nice and sunny put some cream on and brown your bacon and eggs.legs

j) Don't be so silly, just use your loaf of bread.head

FACIAL ACTION

 


GRIN a wide smile:



YAWN  to open the mouth wide and take a lot of air into the lungs and slowly send it out, usually when tired or bored:




LAUGH  to smile while making sounds with your voice that show you think something is funny or you are happy:






WHISTLE to make a high sound by forcing air through a small hole or passage, especially through the lips, or through a special device held to the lips:






CRY  to produce tears as the result of a strong emotion, such as unhappiness or pain:







WINK to close one eye for a short time as a way of greeting someone or showing friendliness, sexual interest, etc., or of showing that you are not serious about something you have said








SMILE a happy or friendly expression on the face in which the ends of the mouth curve up slightly, often with the lips moving apart so that the teeth can be seen:




COUGH to force air out of your lungs through your throat with a short, loud sound:





SNEEZE When you sneeze, air and often small drops of liquid suddenly come out of your nose and mouth in a way you cannot control: